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Isaimozhi
Lyrics & meaning

Margazhi Thingal Allava

From Sangamam · 1999

Lyricist
Vairamuthu
Singers
P. Unnikrishnan, Madhumitha
Music director
A. R. Rahman
Details
Sangamam1999

Lyrics & meaning

Tanglish lyrics English translation
Female
Margazhi thingalIn the month of Margazhi,
Madhi niraindha nannaalaalon this auspicious full moon day,
Neeraada podhuveerall of you who wish to take a holy bath,
Podhumino nerizhaiyercome along, o well-adorned young maidens!
Female
SeermalgumO prosperous and rich
Aaypaadi selva chirumeerkaalyoung maidens of the cowherd village Gokulam,
Koorvel kodunthozhilanHe who wields a sharp spear to protect,
Nandhagopan kumaranthe beloved son of King Nandagopa,
Yeraandha kanniand the young lion cub of Mother Yasodha
Yasodhai ilanjingamwho has striking and beautiful eyes—
Female
{ Margazhi{ Is it not the month of Margazhi,
Thingalallavaa madhiis it not the full moon,
Konjum naalallavaa idhuis this not the day that caresses us with joy,
Kannan varum pozhudhallavaais this not the time when Lord Krishna arrives?
Female
OrumuraiIf I could, just once,
Unadhu thirumugambehold your divine face,
Paarthaal vidaimy soul would gladly take leave
perum uyirallavaa } (2)and depart this life, would it not? } (2)
Female
OrumuraiIf I could, just once,
Unadhu thirumugambehold your divine face,
Paarthaal vidaimy soul would gladly take leave
perum uyirallavaaand depart this life, would it not?
Female
Varuvaai thalaivaaCome, my beloved lord!
Vaazhvae verum kanavaaIs this life merely an empty dream?
Female
MargazhiIs it not the month of Margazhi,
Thingalallavaa madhiis it not the full moon,
Konjum naalallavaa idhuis this not the day that caresses us with joy,
Kannan varum pozhudhallavaais this not the time when Lord Krishna arrives?
Female
Idhayam idhayamMy heart, my heart
Erigindradhae irangiyais burning on fire, but the falling
Kanneer anaikindradhaetears extinguish it.
Female
UllankaiyilLike water held in the palm
Ozhugum neerpolthat leaks away,
Ennuyirum karaivadhennawhy is my life melting away?
Female
Iruvarum oruWill both of us see each other
Murai kaanbomaa illaiat least once, or
Nee matum ennudal kaanbaayaawill you only look upon my lifeless body?
Female
KalaiyendraIn the sacred light
Jothiyil kaadhalai eripadhucalled Art, to burn Love—
Sariya pizhaiyaa vidai nee sollaiyaais it right or wrong? Won't you tell me the answer?
Female
MargazhiIs it not the month of Margazhi,
Thingalallavaa madhiis it not the full moon,
Konjum naalallavaa idhuis this not the day that caresses us with joy,
Kannan varum pozhudhallavaais this not the time when Lord Krishna arrives?
Female
{ Orumurai{ If I could, just once,
Unadhu thirumugambehold your divine face,
Paarthaal vidai perum uyirallavaa } (2)my soul would willingly depart, would it not? } (2)
Female
Varuvaai thalaivaaCome, my beloved lord!
Vaazhvae verum kanavaaIs this life merely an empty dream?
Male
………………………....
Male
Soodi thandhaO bright vine-like maiden (Andal) who offered the garland
Sudarkodiyae sogathaiafter wearing it herself, put an end
Niruthividuto this sorrow!
Male
Naalai varumNurture the hope
Maalaiyendru nambikaithat tomorrow will bring the union garland,
Valarthuvidu nambikai valarthuvidunurture that hope, nurture that hope!
Male
Nam kaadhalOur love
Jothi kalaiyum jothiis a flame, and art is a flame too;
Kalaimagal magalae vaa vaao daughter of Goddess Saraswati, come, come!
Male
Aaaa kaadhalAh, love
Jothi kalaiyum jothi aaaais a flame, art is a flame, ah...
{ Jothi eppadi jothiyai erikum } (2) vaa….{ How can one flame burn down another flame? } (2) Come...
Female
MargazhiIs it not the month of Margazhi,
Thingalallavaa madhiis it not the full moon,
Konjum naalallavaa idhuis this not the day that caresses us with joy,
Kannan varum pozhudhallavaais this not the time when Lord Krishna arrives?
Female
……………………………….....

Beyond the translation

Song interpretation

This song beautifully blends the sacred 9th-century Bhakti poetry of Andal's 'Thiruppavai' with modern cinematic romantic angst from the film Sangamam (1999). It begins with the traditional invocation calling maidens to worship Lord Krishna during the holy month of Margazhi, symbolizing pure devotion and spiritual yearning. As the song transitions into the main composition, the spiritual longing transforms into an intense emotional plea of a woman longing for her lover. She reflects on the conflict between art and love, questioning how art (a divine flame) could consume or destroy love (another divine flame). Devastated by separation, she yearns for a single final glance of her beloved before her life slips away like water from an open palm.

Writing craft

Poetic devices

Literary Allusion (Thiruppavai Adaptation)

Margazhi thingal / Madhi niraindha nannaalaal

The opening lines are a direct recitation of the famous first verse of Andal's Thiruppavai ('Margazhi Thingal Madhi Niraindha...').

Simile (Upamai)

Ullankaiyil / Ozhugum neerpol / Ennuyirum karaivadhenna

Life slipping away is compared to water leaking from a cupped palm ('Ullankaiyil ozhugum neerpol').

Metaphor (Uruvagamm)

Jothi eppadi jothiyai erikum

Love and Art are both conceptualized as divine lights or flames ('Jothi'), culminating in the poetic philosophical question of how one light can burn another.

Anaphora / Rhetorical Questioning

Thingalallavaa madhi / Konjum naalallavaa idhu / Kannan varum pozhudhallavaa

Repeated use of the suffix '-allavaa' (Is it not?) creates a rhythmic, persuasive tone asking if this auspicious time is not meant for Krishna's arrival.

Did you know?

Trivia

The track is from the 1999 film 'Sangamam', directed by Suresh Krissna, featuring music composed by A.R. Rahman with lyrics written by Vairamuthu (adapting ancient Thiruppavai verses). Sung by S. Janaki and P. Unnikrishnan, the soundtrack won A.R. Rahman the Tamil Nadu State Film Award for Best Music Director.

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