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Sangamam album cover
Lyrics & meaning

Margazhi Thingal Allava

From Sangamam · 1999

Lyricist
Vairamuthu
Singers
P. Unnikrishnan, Madhumitha
Music director
A. R. Rahman
Movie name
Sangamam
Movie release year
1999
Lyrics added on
2 May 2017

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Margazhi thingal
Madhi niraindha nannaalaal
Neeraada podhuveer
Podhumino nerizhaiyer
Seermalgum
Aaypaadi selva chirumeerkaal
Koorvel kodunthozhilan
Nandhagopan kumaran
Yeraandha kanni
Yasodhai ilanjingam
{ Margazhi
Thingalallavaa madhi
Konjum naalallavaa idhu
Kannan varum pozhudhallavaa
Orumurai
Unadhu thirumugam
Paarthaal vidai
perum uyirallavaa } (2)
Orumurai
Unadhu thirumugam
Paarthaal vidai
perum uyirallavaa
Varuvaai thalaivaa
Vaazhvae verum kanavaa
Margazhi
Thingalallavaa madhi
Konjum naalallavaa idhu
Kannan varum pozhudhallavaa
Idhayam idhayam
Erigindradhae irangiya
Kanneer anaikindradhae
Ullankaiyil
Ozhugum neerpol
Ennuyirum karaivadhenna
Iruvarum oru
Murai kaanbomaa illai
Nee matum ennudal kaanbaayaa
Kalaiyendra
Jothiyil kaadhalai eripadhu
Sariya pizhaiyaa vidai nee sollaiyaa
Margazhi
Thingalallavaa madhi
Konjum naalallavaa idhu
Kannan varum pozhudhallavaa
{ Orumurai
Unadhu thirumugam
Paarthaal vidai perum uyirallavaa } (2)
Varuvaai thalaivaa
Vaazhvae verum kanavaa
……………………….
Soodi thandha
Sudarkodiyae sogathai
Niruthividu
Naalai varum
Maalaiyendru nambikai
Valarthuvidu nambikai valarthuvidu
Nam kaadhal
Jothi kalaiyum jothi
Kalaimagal magalae vaa vaa
Aaaa kaadhal
Jothi kalaiyum jothi aaaa
{ Jothi eppadi jothiyai erikum } (2) vaa….
Margazhi
Thingalallavaa madhi
Konjum naalallavaa idhu
Kannan varum pozhudhallavaa
………………………………..
In the month of Margazhi (auspicious winter month),
on this blessed day of the full moon,
come, let us go bathe in the river,
gather together, beautifully adorned girls!
In the prosperous
cowherd village of Ayarpadi, precious young girls,
the son of Nandagopan who wields a sharp spear,
Nandagopan's brave young son,
the darling of Yasoda with her lovely eyes,
her fierce young lion cub!
{ Isn't this the month of Margazhi?
Isn't this a night where the moon
playfully smiles? Isn't this
the time Lord Krishna arrives?
Just once,
if I see your beloved face,
my soul would gladly
part from this life! } (2)
Just once,
if I see your beloved face,
my soul would gladly
part from this life!
Come to me, my love!
Is this life nothing but a dream?
Isn't this the month of Margazhi?
Isn't this a night where the moon
playfully smiles? Isn't this
the time Lord Krishna arrives?
My heart, oh my heart,
is burning away, while flowing
tears try to put out the flame.
Like water leaking
through cupped hands,
why is my very life draining away?
Will we both get to meet
each other once, or
will you only see my lifeless body?
In the sacred light of art,
to burn down our love—
is it right or wrong? Tell me the answer, my love!
Isn't this the month of Margazhi?
Isn't this a night where the moon
playfully smiles? Isn't this
the time Lord Krishna arrives?
{ Just once,
if I see your beloved face,
my soul would gladly part from this life! } (2)
Come to me, my love!
Is this life nothing but a dream?
...
O radiant woman like Andal,
who offered her garland of devotion, put an end
to your sorrow!
Believing that the wedding garland
will surely arrive tomorrow,
build up your faith, hold on to your hope!
Our love
is a sacred light, and our art too is a sacred light;
daughter of the goddess of arts, come to me, come!
Ah, love is a flame,
and art too is a flame, ah!
{ How can one flame burn another flame? } (2) Come...
Isn't this the month of Margazhi?
Isn't this a night where the moon
playfully smiles? Isn't this
the time Lord Krishna arrives?
...
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Male
Male
Male
Male
Male
Female
Female

Beyond the translation

Overall song meaning

This song beautifully blends the sacred 9th-century Bhakti poetry of Andal's 'Thiruppavai' with modern cinematic romantic angst from the film Sangamam (1999). It begins with the traditional invocation calling maidens to worship Lord Krishna during the holy month of Margazhi, symbolizing pure devotion and spiritual yearning. As the song transitions into the main composition, the spiritual longing transforms into an intense emotional plea of a woman longing for her lover. She reflects on the conflict between art and love, questioning how art (a divine flame) could consume or destroy love (another divine flame). Devastated by separation, she yearns for a single final glance of her beloved before her life slips away like water from an open palm.

Writing craft

Poetic devices

Literary Allusion (Thiruppavai Adaptation)

Margazhi thingal / Madhi niraindha nannaalaal

The opening lines are a direct recitation of the famous first verse of Andal's Thiruppavai ('Margazhi Thingal Madhi Niraindha...').

Simile (Upamai)

Ullankaiyil / Ozhugum neerpol / Ennuyirum karaivadhenna

Life slipping away is compared to water leaking from a cupped palm ('Ullankaiyil ozhugum neerpol').

Metaphor (Uruvagamm)

Jothi eppadi jothiyai erikum

Love and Art are both conceptualized as divine lights or flames ('Jothi'), culminating in the poetic philosophical question of how one light can burn another.

Anaphora / Rhetorical Questioning

Thingalallavaa madhi / Konjum naalallavaa idhu / Kannan varum pozhudhallavaa

Repeated use of the suffix '-allavaa' (Is it not?) creates a rhythmic, persuasive tone asking if this auspicious time is not meant for Krishna's arrival.

Did you know?

Trivia

The track is from the 1999 film 'Sangamam', directed by Suresh Krissna, featuring music composed by A.R. Rahman with lyrics written by Vairamuthu (adapting ancient Thiruppavai verses). Sung by S. Janaki and P. Unnikrishnan, the soundtrack won A.R. Rahman the Tamil Nadu State Film Award for Best Music Director.

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