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Isaimozhi
Lyrics & meaning

Madhu Iranga Iranga

From Pennai Vazha Vidungal · 1969

Lyricist
Kannadasan
Singers
T. M. Soundararajan, Kusala
Music director
S. M. Subbaiah Naidu
Details
Pennai Vazha Vidungal1969

Lyrics & meaning

Tanglish lyrics English translation
Male
Madhu iranga iranga irangaAs the liquor goes down down down
Female :Ho…Female: Ho...
Male :Madhi mayanga mayanga mayangaMale: As the mind gets swooned swooned swooned
Female :HahahaaFemale: Hahahaa
Male
Madhu iranga iranga irangaAs the liquor goes down down down
Madhi mayanga mayanga mayangaAs the mind gets swooned swooned swooned
Pudhu ulagam naan pogindrenI am going to a new world
Pudhu ulagam naan pogindrenI am going to a new world
Povom ellorum vaarungalCome, let us all go together
Male
Madhu iranga iranga irangaAs the liquor goes down down down
Madhi mayanga mayanga mayangaAs the mind gets swooned swooned swooned
Male
Yedho vanthaan yedho ponaanDid he just come from nowhere and leave into nothingness?
Endraa manithan vaazhvathuIs that all there is to a human life?
Bodhai sugamum maadhar uravumThe pleasure of intoxication and the warmth of a woman's company
Illaiendraal enna aavathuWithout these, what is the point of living?
Female
………………..................
Male
Ha…Oru kaiyilae madhuHa... Wine in one hand
Female :Oho….Female: Oho....
Male :Oru kaiyilae maadhuMale: A woman in the other hand
Female :Aaha….Female: Aaha....
Male
Oru kaiyilae madhu Oru kaiyilae maadhuWine in one hand, a woman in the other hand
Ulaga inbamae munnaadiWorldly bliss is right in front of you
Udaninthu ponaal kannaadiWhen it breaks, it is just like glass
Female :HaahaahhaaFemale: Haahaahhaa
Male
Madhu iranga iranga irangaAs the liquor goes down down down
Madhi mayanga mayanga mayangaAs the mind gets swooned swooned swooned
Male
Ho Kaadhal indru njaanam naalaiHo, love today and wisdom tomorrow
Kaalam migavum siriyathuTime is far too short
Kadaisi sottu theerum mattumUntil the very last drop is finished
Aadum aattam iniyathuThe dance we dance is sweet
Male
Ha….Edhu nanmaiyo athuHa... Whatever is good, let it be that
Female :Oo ho hoFemale: Oo ho ho
Male :Edhu theemaiyo adhuMale: Whatever is evil, let it be that
Female :OohoFemale: Ooho
Male
Edhu nanmaiyo athu edhu theemaiyo adhuWhatever is good or whatever is evil
Anubavam sollattum pinnaalaeLet experience teach us later on
Aasaiyai theerungal munnalaeFulfill your desires first right now
Female :Hahhahaaaha…..Female: Hahhahaaaha.....
Male
Madhu iranga iranga irangaAs the liquor goes down down down
Madhi mayanga mayanga mayangaAs the mind gets swooned swooned swooned
Pudhu ulagam naan pogindrenI am going to a new world
Povom ellorum vaarungalCome, let us all go together

Beyond the translation

Song interpretation

This song presents a hedonistic yet reflective perspective on life, typical of lyricist Kannadasan's philosophical style. It portrays intoxication and romantic companionship as gateways to an alternate world of bliss, urging people to live in the present rather than getting caught up in the mundane cycle of birth and death.

Writing craft

Poetic devices

Edhukai (Second letter rhyme)

Madhu iranga iranga iranga / Madhi mayanga mayanga mayanga

The second consonant 'dh' matches in 'Madhu' (liquor) and 'Madhi' (mind/intellect).

Adukku Thodar (Repetition for emphasis)

Madhu iranga iranga iranga

The words 'iranga' and 'mayanga' are repeated sequentially to emphasize the gradual biological and mental effect of wine.

Monal Rhyme / End Rhyme

Oru kaiyilae madhu Oru kaiyilae maadhu

Rhyming of 'madhu' (wine) and 'maadhu' (woman) creates a rhythmic phonetic pair while contrasting two worldly pleasures.

Juxtaposition / Antithesis

Kaadhal indru njaanam naalai

Contrasting 'Love today' with 'wisdom tomorrow', highlighting the urgency of immediate indulgence over delayed philosophical realization.

Did you know?

Trivia

'Pennai Vazha Vidungal' (1969) featured music composed by S. M. Subbaiah Naidu with lyrics penned by Kannadasan. Kannadasan was famous for embedding deep life philosophy into club/intoxication songs, capturing the human conflict between fleeting pleasures and moral realizations.

Keep listening

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