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Manalane Mangaiyin Bakkiam album cover
Lyrics & meaning

Kanne Nee Vaada

From Manalane Mangaiyin Bakkiam · 1957

Lyricist
Thanjai N. Ramaiah Dass
Singers
P. Susheela, M. S. Ramarao
Music director
P. Aadhinarayana Rao
Movie name
Manalane Mangaiyin Bakkiam
Movie release year
1957
Lyrics added on
8 Sept 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kannae nee vaada kaniyae nee vaada
En vaazhvin kurai neenga
Indrae nee vaada kannae nee vaada
Kaninthenghum thaaiyin
Kali theera vaada
Kalaimaanai pol thulli kanna nee vaada
Thavazhndhodi vilaiyaadi
Thavamae nee vaada
Kannae nee vaada thaalaeloo thalaeloo
Thaalaeloo thalaeloo
Thaalaeloo thalaeloo
Kuyilin muttai kaagamae
Adaikaapadhum nijanthaanada
Hooo oo
Kudumbha vilakkaai vilangha vandha
Kuzhandhaiyae nee yaarada
Koyil kulamae suthidamae
Koduthu ponaandaa
Aandavan koduthu ponaandaa kannae
Thaalaeloo thalaeloo
Thaalaeloo thalaeloo
Anaiyaadha jodhi azhagae unnalae
Alaimodhum velai varuvaai munnalae
Manadhaara unai endrum magizhven kannalae
Kannae nee vaada kaniyae nee vaada
Un thaaiyai kaanamal yeno pirindhaai
Engae marainthaai
Kavalaiyaale unnai thedi
Kalanguvaal un thaayada
Hoo oo oooo
Kabadu therinjidatha kadavulthaane neeyada
Kandrai pirindhu karavai yengum
Kaalam idhu thaanda
Aandavan leelai idhuthaanada kannae
Thaalaeloo thalaeloo
Come to me, my darling, come, my sweet fruit!
To take away all the emptiness in my life,
come today itself, my darling, come to me!
To satisfy a loving mother's heart,
come to fill her with joy!
Leaping like a graceful deer, come to me, my darling boy!
Crawling, running, and playing about,
come to me, my precious blessing!
Come to me, my darling, thaalelo, thaalelo,
Thaalelo, thaalelo,
Thaalelo, thaalelo.
A crow brooding over a cuckoo's egg—
that has truly come to pass, my child!
Oh... oh...
You who came to shine as the light of a home,
who are you really, my little child?
Wandering through temples and clans,
He gave you away and left,
God gave you to us and moved on, my darling!
Thaalelo, thaalelo,
Thaalelo, thaalelo.
You are an unfading flame of beauty; because of you,
whenever sorrow swells like waves, you appear before me.
With all my heart, I will always delight in seeing you.
Come to me, my darling, come, my sweet fruit!
Separated from your mother, why did you part from her?
Where did you disappear?
Searching for you in deep worry,
your mother will be weeping in grief, my child!
Oh... oh... oh...
You are an innocent little god who knows no deceit!
Like a cow yearning for her lost calf,
this is indeed a painful time, my child!
This is all God's mysterious play, my darling,
Thaalelo, thaalelo.
Female
Female
Male
Female
Male

Beyond the translation

Overall song meaning

This classic lullaby expresses a mother's immense affection, tenderness, and emotional depth toward a child. She affectionately addresses the young child with metaphors like sweet fruit, eternal flame, and the fruit of her devotion, calling the child to play and brighten her life. The song reflects on fate and divine design, comparing emotional separation to a mother cow yearning for her calf, while ultimately praising the pure, innocent nature of childhood as a divine blessing.

Writing craft

Poetic devices

Simile (Upamai)

Kalaimaanai pol thulli kanna nee vaada

Compares the child's energetic bouncing and movement to that of a stag/deer using 'pol'.

Metaphor (Uruvagam)

Kudumbha vilakkaai vilangha vandha

Directly metaphorizes the child as the sacred lamp of the household that brings brightness.

Metaphor (Uruvagam)

Kannae nee vaada kaniyae nee vaada

Addresses the child metaphorically as 'Kani' (sweet fruit) and 'Thavam' (fruit of penance).

Monai (Initial Alliteration)

Kandrai pirindhu karavai yengum

Repetition of the initial 'Ka' sound (Kandrai / Karavai / Kaalam) creating melodic harmony.

Did you know?

Trivia

Manalane Mangaiyin Bakkiam (1957) was a major bilingual hit simultaneously produced in Tamil and Telugu (as Anarkali). The music composed by P. Aadhinarayana Rao and sung by legendary singer P. Susheela remains one of the iconic early lullabies of South Indian cinema.

Keep listening

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