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Isaimozhi
Lyrics & meaning

Kadhalukku Naalu

From Poi Sollathe · 1971

Lyricist
Kannadasan
Singers
T. M. Soundararajan, P. Susheela
Music director
K. V. Mahadevan
Details
Poi Sollathe1971

Lyrics & meaning

Tanglish lyrics English translation
Female
Kadhalukku naalu pakkamLove has four pages.
Kaalgalukku naalu nadaiFeet have four gaits.
Male :Maadharukku naalu gunamMale: Women have four virtues.
Mai vizhikku naalu mozhiKohl-lined eyes have four languages.
Female
Kangalinaal ezhudhuvadhae mudhal pakkamWriting with the eyes is the first page.
Kalandhu kollum idhayangalae irandaam pakkamHearts blending together is the second page.
Male :Ennuvadhai solluvadhae moondraam pakkamMale: Expressing inner thoughts is the third page.
Eeruyirum inaivadhu thaan naalu pakkamThe union of two souls is the fourth page.
Female
Kadhalukku naalu pakkamLove has four pages.
Kaalgalukku naalu nadaiFeet have four gaits.
Male :Maadharukku naalu gunamMale: Women have four virtues.
Mai vizhikku naalu mozhiKohl-lined eyes have four languages.
Female
Aasai midhakaiyilae anna nadai podumFloating in desire, she walks like a swan.
Aruginil vaavendraal chinna nadai podumIf called to come near, she walks with shy, short steps.
Male :Kattilukku selgaiyilae kanni nadai podumMale: Heading toward the bed, she walks like a coy maiden.
Kaar irul panjaniayil enna nadai podumOn the dark bed of night, what kind of gait will she walk?
Female
Kadhalukku naalu pakkamLove has four pages.
Kaalgalukku naalu nadaiFeet have four gaits.
Male :Maadharukku naalu gunamMale: Women have four virtues.
Mai vizhikku naalu mozhiKohl-lined eyes have four languages.
Female
Kaadhalanin paarvaiyilae thalai kavilum oru gunamBowing her head under her lover's gaze is one virtue.
Kaigalukkul irukkaiyilae kann maraikkkum maru gunamClosing her eyes in his arms is another virtue.
Male :Alli varum ninaivugalai adakki vaikkum oru gunamMale: Suppressing surging memories is one virtue.
Anaikkaiyilae athanaiyum maranthirukkum maru gunamForgetting everything in an embrace is another virtue.
Female
Kadhalukku naalu pakkamLove has four pages.
Kaalgalukku naalu nadaiFeet have four gaits.
Male :Maadharukku naalu gunamMale: Women have four virtues.
Mai vizhikku naalu mozhiKohl-lined eyes have four languages.
Female
Thanakkul thanimaiyilae sirikkum mozhi ondruSmiling to herself in solitude is one language.
Thalaimagan kangalukkum anuppum mozhi ondruSending unspoken signals to her lover's eyes is another language.
Male :Aasai malar poothathu pol veesum mozhi ondruMale: Wafting fragrance like a bloomed flower of desire is one language.
Aduthavarkku theriyaamal pesum mozhi ondruSpeaking secretly without others noticing is another language.
Female
Kadhalukku naalu pakkamLove has four pages.
Kaalgalukku naalu nadaiFeet have four gaits.
Male :Maadharukku naalu gunamMale: Women have four virtues.
Mai vizhikku naalu mozhiKohl-lined eyes have four languages.

Beyond the translation

Song interpretation

This classic romantic duet explores love and feminine beauty through a structured motif centered on the number 'four'. Kannadasan systematically breaks down four aspects of romance: the four stages of love (glances, emotional union, expression, and ultimate togetherness), four types of feminine gaits, four soft virtues of a woman, and four unspoken languages conveyed by her eyes. The lyricism gracefully weaves traditional Tamil aesthetic tropes (such as swan-like gaits and feminine modesty) into a romantic dialogue set to a melodic composition by K. V. Mahadevan.

Writing craft

Poetic devices

Numerical Motif / Structural Anaphora

Kadhalukku naalu pakkam

The deliberate repeating structure using 'naalu' (four) organizes the verse into neat thematic quadruplets throughout the song.

Metaphor (Uvamai)

Aasai midhakaiyilae anna nadai podum

Comparing a woman's graceful, longing walk to that of a swan ('anna nadai').

Ethukai (Second-letter Assonance)

Kangalinaal ezhudhuvadhae mudhal pakkam

Rhyming of second consonant sounds in Tamil poetic tradition across paired lines.

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Trivia

Kannadasan draws inspiration from ancient Sangam literature principles regarding feminine virtues (traditionally Acham, Madam, Naanam, Payirpu) and adapts them into contemporary film lyrics with playful elegance.

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