- Lyricist
- Vaali
- Singer
- T. M. Soundararajan
- Music director
- Vijaya Bhaskar
- Movie name
- Maalai Sooda Vaa
- Movie release year
- 1975
- Lyrics added on
- 12 May 2019
Lyrics & meaning
Beyond the translation
Overall song meaning
This song presents a philosophical yet lighthearted reflection on how human intentions are often overridden by divine destiny. The narrator speaks on behalf of a father overwhelmed by domestic tribulations—dealing with children who run away or make independent choices in love. The chorus repeatedly emphasizes that God's plans remain mysterious and unpredictable to human understanding. By addressing deities located in well-known Tamil Nadu shrines (such as the Kodambakkam Murugan temple and Mylapore's Goddess Karpagambal), the lyrics weave traditional faith with humorous everyday dilemmas. The song lightens parental anxiety by contrasting ancient epic struggles, like King Dasaratha's grief for Rama, with modern household troubles and divine romantic precedents like Lord Krishna.
Writing craft
Poetic devices
Edhugai (Second-letter rhyme)
“Kadavul potta kanakku / Therivadhillai namakku”
Matching second consonants across consecutive lines, such as 'kanakku' and 'namakku' to create rhythmic cohesion.
Wordplay / Pun (Iledchhanai)
“Puthira sogam / Pathira sogam”
A humorous play on words contrasting 'Puthira sogam' (grief caused by a child, referring to Dasaratha) with 'Pathira sogam' (grief caused by property/document deeds).
Mythological Allusion
“Andha thasarathanai vaatiyadho / Kanna paramaathmaa un pol”
Referencing King Dasaratha's grief over Rama's exile from the Ramayana, and Lord Krishna's victories in love from Hindu scriptures to draw parallels with domestic life.
Anaphora (Chorus Refrain)
“Kadavul potta kanakku / Therivadhillai namakku”
Repetition of the core philosophical premise throughout the song to reinforce the central theme.
Did you know?
Trivia
Written by legendary lyricist Vaali for the 1975 film 'Maalai Sooda Vaa' (music composed by Vijaya Bhaskar), the song cleverly incorporates local Chennai urban landmarks—such as Kodambakkam and the Maada Veedhi around Mylapore Kapaleeshwarar Temple—into devotional satire.
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