- Lyricist
- Aalangudi Somu
- Singer
- Seerkazhi Govindarajan
- Music director
- K. V. Mahadevan
- Movie name
- Enga Veettu Penn
- Movie release year
- 1965
- Lyrics added on
- 5 Dec 2023
Lyrics & meaning
Beyond the translation
Overall song meaning
This philosophical song from 'Enga Veettu Penn' (1965), composed by K. V. Mahadevan and rendered powerfully by Seerkazhi Govindarajan, imparts timeless egalitarian wisdom written by Aalangudi Somu. The lyrics emphasize that all natural resources belong equally to everyone, and human notions of individual ownership ('mine' and 'yours') are temporary illusions. Through vivid analogies, the song explains how pure rainwater assumes the characteristics of the soil it hits, just as good individuals get corrupted by wicked association. Furthermore, it reminds us that the Earth predates humanity and will outlast us all, making claims of land ownership absurd. The song concludes by advocating equanimity in the face of life's dualities and calling for collective unity ('we') over individual vanity ('I') to eliminate suffering from society.
Writing craft
Poetic devices
Uruvagamm (Personification / Metaphor)
“Iyarkkai annai thandhadhellam”
Nature is personified as a benevolent universal mother ('Iyarkkai annai') who provides equally to all.
Muran (Antithesis / Contrast)
“Iravum pagalum inbamum thunbamum”
Contrasting pairs are used to show natural dualities ordained by nature: 'Iravum pagalum' (Night and Day) and 'inbamum thunbamum' (Pleasure and Pain).
Etukai (Second letter rhyming)
“Naan endra aganthaiyinaale / Naam endra ottrumai vandhaal”
The second consonant 'na' matches across lines: 'Naan' in line 31 and 'Naam' in line 35, highlighting the shift from singular ego to collective unity.
Analogy / Utamai
“Vaan mazhai neerum mannin gunathaal Maattram adaiavdhundu”
Compares rainwater absorbing soil qualities to good human beings absorbing the traits of bad company.
Did you know?
Trivia
Written by famous lyricist Aalangudi Somu, this song remains one of Tamil cinema's hallmark philosophical solos performed by the legendary classical singer Seerkazhi Govindarajan. Its moral messaging about land ownership and social equality mirrored the socio-political rhetoric popular in Tamil Nadu during the 1960s.
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