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Isaimozhi
Lyrics & meaning

Inge Naan

From Naan Avan Illai (1974) · 1974

Lyricist
Kannadasan
Singers
L. R. Eswari, Saibaba
Music director
M. S. Vishwanathan
Details
Naan Avan Illai (1974)1974

Lyrics & meaning

Tanglish lyrics English translation
Male
Senyoreeta oh my darlingSenorita, oh my darling,
Senyoreeta oh my darlingSenorita, oh my darling!
Female
Ingae naan paruvakumari arasakumariHere I am a youthful maiden, a royal princess,
Sarasakumari kalaigalil raniA playful maiden, the queen of arts!
Ingae naan paruvakumari arasakumariHere I am a youthful maiden, a royal princess,
Sarasakumari kalaigalil raniA playful maiden, the queen of arts!
Female
Anbu kondu bakthiWith affection, I tried devotions,
Seithu paarthu vittaenI have tried that and seen.
Aasai kondu kadhalWith desire, I tried love,
Seithum paarthu vittaenI have tried that too and seen.
I dont care for the worldI don't care for the world!
Female
Ingae naan paruvakumari arasakumariHere I am a youthful maiden, a royal princess,
Sarasakumari kalaigalil raniA playful maiden, the queen of arts!
Female
Thaththai sugam soththu sugamThe pleasure of speech, the pleasure of wealth,
Meththai suga vithai sugamThe pleasure of the bed and the art of love,
Naanum irangivittaenI too have stepped into them.
Female
Thaththai sugam soththu sugamThe pleasure of speech, the pleasure of wealth,
Meththai suga vithai sugamThe pleasure of the bed and the art of love,
Naanum irangivittaenI too have stepped into them.
Female
Allikodi mullai sediLily creeper, jasmine plant,
Mella thodu allikoduTouch gently, embrace me close,
naanum thuninthu vittaenI too have become bold.
Come on take me nowCome on take me now!
Female
Kalyaanamillaatha sallaabamDalliance without marriage,
Kaavalkalillaatha ullaasamJoy without restraints,
Kanneerai kaanaathaA happiness that sees no tears,
Santhosham senyoreetaOh Senorita!
Female
Ingae naan paruvakumari arasakumariHere I am a youthful maiden, a royal princess,
Sarasakumari kalaigalil raniA playful maiden, the queen of arts!
Female
Santhippathu anthikkadaiMeeting at the evening bazaar,
Sinthippathu inbakkalaiContemplating the art of pleasure,
Ondrum thavarillaiThere is nothing wrong in it.
Siththargalum selvargalumMystics and the wealthy,
Baktharkalum mukthargalumDevotees and liberated souls,
Yaarum veruththathillaiNone of them have shunned this.
Better late then neverBetter late than never!
Female
Devathi devargal thearottamThe chariot procession of the supreme gods,
Thaenodu paalodu neerottamA stream of honey, milk, and water,
Thedungal theeraatha kaliyaattamSeek the unending celebration!
She is right thereShe is right there!
Female
Ingae naan paruvakumari arasakumariHere I am a youthful maiden, a royal princess,
Sarasakumari kalaigalil raniA playful maiden, the queen of arts!
Female :Anbu kondu bakthiFemale: With affection, I tried devotions,
Seithu paarthu vittaenI have tried that and seen.
Angum ingum eththanaiyo paarththuvittaenI have seen so many things here and there.
I dont care in the worldI don't care in the world!

Beyond the translation

Song interpretation

Senyoreeta is a high-energy cabaret dance track from the 1974 film Naan Avan Illai. The lyrics present a bold, glamorous, and free-spirited female protagonist who celebrates her youth, beauty, and mastery over sensory pleasures. She openly asserts her detachment from conventional social boundaries and expectations, declaring that she pursues pure happiness, passion, and artistic joy without concern for societal judgment. Penned by Kannadasan with music composed by M. S. Viswanathan, the song seamlessly blends Tamil rhythmic poetry with catchy English conversational phrases. It frames sensual enjoyment not as a taboo, but as something embraced across all strata of life, from ordinary lovers to mystics and gods.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Ingae naan paruvakumari arasakumari / Sarasakumari kalaigalil rani

The repetition of the suffix '-kumari' across 'Paruvakumari', 'Arasakumari', and 'Sarasakumari' creates a sweet, playful end-rhyme scheme.

Edugai (Second Letter Rhyme)

Thaththai sugam soththu sugam / Meththai suga vithai sugam

The second letter 'th' matches across 'Thaththai', 'Meththai', creating a rhythmic bounce in the line.

Monnai (Initial Alliteration)

Kalyaanamillaatha sallaabam / Kaavalkalillaatha ullaasam

Initial consonant alliteration with 'K' in 'Kalyaanamillaatha' and 'Kaavalkalillaatha'.

Code-Switching / Macaronic Verse

I dont care for the world

Blending English phrases like 'I dont care for the world' and 'Better late then never' within traditional Tamil verse structure.

Did you know?

Trivia

Naan Avan Illai (1974), directed by K. Balachander, famously featured Gemini Ganesan playing a charming conman who adopts multiple identities to romance different women. 'Senyoreeta' is one of the standout westernized club songs from the movie, brilliantly rendered by L. R. Eswari and Sai Baba under M. S. Viswanathan's composition.

Keep listening

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