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Isaimozhi
Lyrics & meaning

Angiyodu Nijar

From Paattaliyin Sabatham · 1958

Lyricist
Kambadasan
Singers
P. Susheela, T. V. Rathinam
Music director
O. P. Nayyar
Details
Paattaliyin Sabatham1958

Lyrics & meaning

Tanglish lyrics English translation
Female
Angiyodu nijar anindhae vandhaayaeYou came wearing a coat and shorts
Undhan ilamai kaati aasai thandhaaye..hoiShowing off your youth, you sparked desire... hoi!
Female
Endhan pinnae nee thodarndhu aadathaeDo not follow behind me and dance
Taanakaaran kaiyil sikki vaadathaeDo not get caught in the policeman's hands and suffer
Female
Kanam kanam unai kandidavumTo catch a glimpse of you every single moment
Manam thudithiduthae madhan kanaiyaalMy heart throbs due to Cupid's arrow
Female
Varuven naan un pinnaeI will come following right behind you
Kai vilangu vandhaalum nilai thalarenEven if handcuffs await me, I will not falter
Varuven naan un pinnaeI will come following right behind you
Kai vilangu vandhaalum nilai thalarenEven if handcuffs await me, I will not falter
Yaarukkum naan anjenaeI am not afraid of anyone
Undhan ilamai kaati aasai thandhaye hoiShowing off your youth, you sparked desire... hoi!
Female
Endhan pinnae nee thodarndhu aadathaeDo not follow behind me and dance
Taanakaaran kaiyil sikki vaadathaeDo not get caught in the policeman's hands and suffer
Female
Madhipum kondaval naanaeI am a woman of dignity and honor
Podhu magalena nee ennadhaeDo not treat me as a public woman
Female
Badae badae bayilvaanaeEven big, mighty wrestlers
Anjiyae kenja seidhenI made them cower and beg me
Badae badae bayilvaanaeEven big, mighty wrestlers
Anjiyae kenja seidhenI made them cower and beg me
Female
Kaeli seiya koodathaeDo not tease or make fun of me
Taanakaaran kaiyil sikki vaadathaeDo not get caught in the policeman's hands and suffer
Female
Angiyodu nijar anindhae vandhaayaeYou came wearing a coat and shorts
Undhan ilamai kaati aasai thandhaaye..hoiShowing off your youth, you sparked desire... hoi!

Beyond the translation

Song interpretation

This song is a lively playful duet between a woman and her bold suitor. The heroine warns her persistent admirer to keep his distance, asserting her self-respect and dignity while warning him that her charms have humbled mighty wrestlers in the past and that his antics might get him arrested by the local police ('Taanakaaran'). Undeterred, the suitor passionately declares that Cupid's arrow has struck his heart, swearing that not even handcuffs or fear of the law will stop him from following the woman he loves.

Writing craft

Poetic devices

Etukai (Second-letter Rhyme)

Kanam kanam unai kandidavum / Manam thudithiduthae madhan kanaiyaal

The second consonant sound 'na' matches in 'Kanam kanam' and 'Manam', creating rhythmic harmony.

Metaphor

Manam thudithiduthae madhan kanaiyaal

'Madhan kanai' refers to the arrow of Kamadeva (Cupid), symbolizing the irresistible and sudden onset of love.

Repetition (Adukkuthodar)

Badae badae bayilvaanae

Words like 'Kanam kanam' (moment by moment) and 'Badae badae' (big/mighty) are doubled for poetic emphasis and dramatic flair.

Did you know?

Trivia

Paattaliyin Sabatham (1958) features music and lyrics contributed by Kambadasan, a celebrated Tamil poet known for blending classical literary tropes with catchy colloquial folk idioms. The song uses early Tamil cinema slang such as 'Taanakaaran' for a police constable and 'Nijar' derived from knickers/shorts.

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