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Isaimozhi
Lyrics & meaning

Amma Amma Amma

From Manalane Mangaiyin Bakkiam · 1957

Lyricist
Thanjai N. Ramaiah Dass
Singer
Ghantasala
Music director
P. Aadhinarayana Rao
Details
Manalane Mangaiyin Bakkiam1957

Lyrics & meaning

Tanglish lyrics English translation
Male
Amma amma amma enumWhere has the unquenchable lamp named 'Mother, mother, mother' disappeared?
Anaiyaadha deepam engae maraindhaaloWhere has that unquenchable lamp hidden?
Amma amma amma enumWhere has the unquenchable lamp named 'Mother, mother, mother' disappeared?
Anaiyaadha deepam engae maraindhaaloWhere has that unquenchable lamp hidden?
Ariyaadha maganae puriyadha ulagilOh innocent son, in this incomprehensible world,
Alaindhaalum therivaayooEven if you wander, will you recognize her?
Evvidham ammaavai purivaayooIn what way will you understand your mother?
Male
Padhi vaazhvai izhandhaeHaving lost half her life's happiness,
Pasu kandrai pirindhaeSeparated like a cow from her calf,
Pala veshathaal alaindhaeWandering in various disguises,
Nilai maari annai alaimodhum velaiAt a time when mother is tossing about in an altered state,
Arivaayooda maganaeWill you know it, my son?
Ammavai therivaayoodaa maganaeWill you recognize your mother, my son?
Male
Vidhi seidha leelai vibaridha velaiThis game played by fate, this disastrous hour,
Vinaiyaaga nerndhadhadaHas befallen as a karmic misfortune.
Urumaari thandhai nilai maarinaanDisguised, the father too has changed his status,
Nee unarvaayoodaa maganaeWill you realize this, my son?
Thandhaiyae therivaayoodaa maganaeWill you recognize your father, my son?
Male
Andho anadhaiyaiAlas, why do you test this orphan child,
Sodhanai seivadhaen deivamaeWhy do you test him, Oh God?
Than thaai thandhaiyinDue to the sorrow of his mother and father,
Sogathaal yengugiraan selvamaeThis precious child is yearning,
Male
Alai maevidum thurumbagavaeLike a piece of straw floating on wave-tossed waters,
Nilaimaarinaan paaraaiLook, his state has changed,
Muraiyagumaa deivamaeIs this fair, Oh God?
Muraiyagumaa deivamaeIs this fair, Oh God?
Kurai kelada deivamaeListen to this grievance, Oh God!

Beyond the translation

Song interpretation

This poignant song conveys the intense tragedy of a family separated by misfortune. The narrator addresses a young, innocent child who is unaware that both his mother and father are suffering in disguise nearby. The mother is described as an eternal lamp that has been hidden, enduring terrible grief like a mother cow separated from her calf. Meanwhile, the father's life has also been upended by the cruel turns of fate. The song serves as a melancholic lament directed towards God, questioning why an innocent child must suffer as if he were an orphan, floating helplessly like straw on tumultuous waves. Through emotional questioning and vivid imagery, the lyricist captures the despair of separation and appeals to divine justice to hear their plight.

Writing craft

Poetic devices

Metaphor (உருவகம்)

Anaiyaadha deepam engae maraindhaalo

The mother's love and presence are portrayed as an 'unquenchable lamp' (Anaiyaadha deepam).

Simile (உவமையணி)

Pasu kandrai pirindhae

The painful separation of the mother and child is compared to a cow separated from her calf (Pasu kandrai pirindhae).

Simile (உவமையணி)

Alai maevidum thurumbagavae

The helpless child's unstable condition in life is compared to a piece of straw tossed on oceanic waves (Alai maevidum thurumbagavae).

Alliteration / Monai (மோனை)

Vidhi seidha leelai vibaridha velai

Repetition of initial consonant sound 'v' in 'Vidhi', 'vibaridha', and 'Vinaiyaaga'.

Rhetorical Question (வினா அணி)

Muraiyagumaa deivamae

The speaker asks God 'Is this fair?' repeatedly to emphasize helplessness and injustice.

Did you know?

Trivia

Manalane Mangaiyin Bakkiam (1957) was a prominent bilingual film release (made simultaneously in Telugu as Anasuya). Directed by Vedantam Raghavaiah with music scored by P. Adinarayana Rao, the song features iconic vocals by Ghantasala, renowned for bringing deep emotional depth to tragic solos written by Thanjai N. Ramaiah Dass.

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