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Isaimozhi
Lyrics & meaning

Unnai Ethirparthen Kanna

From Radha · 1973

Lyricist
Vaali
Singer
P. Susheela
Music director
Shankar Ganesh
Details
Radha1973

Lyrics & meaning

Tanglish lyrics English translation
Female
Kanna..kanna…. kanna…O Kanna... Kanna... Kanna...
Kanna..kanna…. kanna…O Kanna... Kanna... Kanna...
Kanna..aaa..aaa…O Kanna... ah... ah...
Female
Unnai edhirpaarthen kanna nee vaa vaaI kept waiting for you, Kanna, please come to me!
Kangal urangaaml thavithaalae raadhaRadha suffered, restless without sleep in her eyes.
Ullam poradavum kannil neradavumMy heart struggles and my eyes feel a painful irritation,
Ullam poradavum kannil neradavumMy heart struggles and my eyes feel a painful irritation,
Ingae yengugiren thaniyaagaI am yearning here all alone.
Female
Unnai edhirpaarthen kanna nee vaa vaaI kept waiting for you, Kanna, please come to me!
Kangal urangaamal thavithaalae raadhaRadha suffered, restless without sleep in her eyes.
Female
Undhan mugam thaanae pasiyaara naan paarthathuWas it not your face that I gazed upon to quench my hunger?
Undhan manam thaanae varamaaga naan kettadhuWas it not your heart that I requested as a boon?
Udal ennodu thaan uyir unnodu thaanMy body remains with me, but my life energy is with you.
Innum ver enna naan solvadhuWhat else can I possibly say now?
Female
Kann ellaam un vannamMy eyes see only your colorful presence everywhere,
Nenjellaam un ennamMy entire mind is filled with thoughts of you,
Endhan uravennum ulagangalThe whole world of loving relationships was given to me by you;
nee thandhadhuWhy then did this sorrow called separation come into it?
Idhil pirivennum oru thunbamI kept waiting for you, Kanna, please come to me!
yen vandhadhuRadha suffered, restless without sleep in her eyes.
Female
Unnai edhirpaarthen kanna nee vaa vaaEven though it wanes daily, even the crescent moon eventually becomes full;
Kangal urangaaml thavithaalae raadhaEven if a flower dries up, it forms a tender fruit and ripens;
Female
Dhinam theindhaalum pirai kooda nilavaaguameYet my body wanes away and my heart dries up,
Malar kaainthaalum pinjaagi kaniyaagumaeYou must come so that this state of mine changes.
Udal theigindrathae manam kaaigindrathaeThe curse of a suffering woman is terrible;
Indha nilai maara nee vendumaeKanna, come right now!
Female
Penn paavam polladhuI cannot bear your teasing games anymore, my lord;
Kanna vaa ippodhuWithout your arrival, the day will not dawn here.
Un vilaiyattai naan thaanga mudiyaadhaiyaaI kept waiting for you, Kanna, please come to me!
Nee varaamal pozhudhinghu vidiyaadhaiyaaRadha suffered, restless without sleep in her eyes.
Female
Unnai edhirpaarthen kanna nee vaa vaa
Kangal urangaaml thavithaalae raadha

Beyond the translation

Song interpretation

This soulful song captures Radha's intense yearning and sorrow during her separation from Lord Krishna (Viraha Bhakti). Radha expresses that her whole existence revolves around Krishna—her eyes see only his form, her heart harbors only his thoughts, and her soul resides with him even if her physical body is apart. She feels completely isolated and restless, unable to sleep as her longing deepens. To emphasize her suffering, Radha contrasts her plight with nature's cyclical resilience: the moon wanes only to shine fully again, and a flower dries up only to give birth to fruit. In contrast, Radha feels her body and spirit deteriorating without renewal. She pleads with Krishna to stop his divine, teasing games and return, stating that her world cannot awaken to a new dawn without his presence.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Undhan mugam thaanae pasiyaara naan paarthathu / Undhan manam thaanae varamaaga naan kettadhu Auditorium Paarthathu / Kettadhu match in ending sound to create lyrical rhythm.

Edhugai (Second Letter Rhyme)

Kann ellaam un vannam / Nenjellaam un ennam

Uvamai (Analogy / Metaphor)

Dhinam theindhaalum pirai kooda nilavaaguame / Malar kaainthaalum pinjaagi kaniyaagumae

Monai (Initial Alliteration)

Penn paavam polladhu / Kanna vaa ippodhu

Did you know?

Trivia

Composed by the duo Shankar-Ganesh and rendered by P. Susheela, this song stands out as a prime example of Viraha Bhakti in 1970s Tamil cinema music, featuring lyricist Vaali's deep devotional imagery centered around the divine love between Radha and Krishna.

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