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Isaimozhi
Lyrics & meaning

Thakkidatha Hoi Hoi Thikkidatha

From Prayachitham · 1974

Lyricist
Kannadasan
Singers
T. M. Soundararajan, L. R. Eswari
Music director
M. S. Sanjay
Movie name
Prayachitham
Movie release year
1974
Lyrics added on
28 Feb 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Thakkidathaa hoi hoi thikkidathaa
Thakkidathaa hoi hoi thikkidathaa
Thaththi thaththi poraa paaru kiliyakkaa
Ennai thatti kondae poraa paaru kuyilakkaa
Aaho….
Suththi suththivanthaar paaru duraiyappaa
Ennai chummaa paarkka ninaipathenna muraiyappaa
Thakkidathaa hoi hoi thikkidathaa
………………..
Female :…………….
Both :……………..
Aalamaram vizhuthu vittu koonthal undaachchu
Female :Adhu aadi aadi kooppittathaal kadhal undaachchu
Male :Aalamaram vizhuthu vittu koonthal undaachchu
Female :Adhu aadi aadi kooppittathaal kadhal undaachchu
Pooveduththu thottil katti
Idaiyum undaachchu
Female :Athu poga poga yaedho yaedho
Bodhai undaachchu
Both :Ingae neeyirukka naan irukka neram vanthaachchaa
Thakkidathaa hoi hoi thikkidathaa
Thaththi thaththi poraa paaru kiliyakkaa
Ennai thatti kondae poraa paaru kuyilakkaa
Aahoi…aa….aa….
Suththi suththivanthaar paaru duraiyappaa
Ennai chummaa paarkka ninaipathenna muraiyappaa
Thakkidathaa hoi hoi thikkidathaa
…………….
Female :………….
Both :……………..
Koodirukku ingae oru kuruvi vendaamaa
Male :Naan kulippatharkku unnaippola
Aruvi vendaamaa
Female :Koodirukku ingae oru kuruvi vendaamaa
Male :Naan kulippatharkku unnaippola
Aruvi vendaamaa
Hoi veedu irukku ullae
Oru vilakku vendaama
Male :Ada vilakku vacha pinnae oru kanakku vendaama
Both :Paal irukku thaen irukku kalakka vendaamaa
Thakkidathaa hoi hoi thikkidathaa
Thaththi thaththi poraa paaru kiliyakkaa
Ennai thatti kondae poraa paaru kuyilakkaa
Aahoi…aa….aa….
Suththi suththivanthaar paaru duraiyappaa
Ennai chummaa paarkka ninaipathenna muraiyappaa
Both :Thakkidathaa hoi hoi thikkidathaa
Thakkidathaa hoi hoi thikkidathaa
Thakkidatha hoy hoy thikkidatha
Thakkidatha hoy hoy thikkidatha
Look at sister parrot walking with bouncing steps!
Look at sister cuckoo brushing past me as she goes!
Aaho...
Look at the gentleman circling round and round!
What kind of manners is it to just keep staring at me?
Thakkidatha hoy hoy thikkidatha
...
Female: ...
Both: ...
The banyan tree let down roots and long hair was born
Female: Because it swayed and beckoned, love was born
Male: The banyan tree let down roots and long hair was born
Female: Because it swayed and beckoned, love was born
Making a cradle out of flowers,
a slender waist was born
Female: And as time went on, slowly,
an intoxication was born
Both: With you here and me here, has our time finally come?
Thakkidatha hoy hoy thikkidatha
Look at sister parrot walking with bouncing steps!
Look at sister cuckoo brushing past me as she goes!
Aahoy... aa... aa...
Look at the gentleman circling round and round!
What kind of manners is it to just keep staring at me?
Thakkidatha hoy hoy thikkidatha
...
Female: ...
Both: ...
There is a nest here, don't we need a bird?
Male: For me to bathe in,
don't I need a waterfall like you?
Female: There is a nest here, don't we need a bird?
Male: For me to bathe in,
don't I need a waterfall like you?
Hoy, there is a house,
inside, don't we need a lamp?
Male: Hey, once the lamp is lit, don't we have accounts to settle?
Both: There is milk and there is honey, shouldn't they blend together?
Thakkidatha hoy hoy thikkidatha
Look at sister parrot walking with bouncing steps!
Look at sister cuckoo brushing past me as she goes!
Aahoy... aa... aa...
Look at the gentleman circling round and round!
What kind of manners is it to just keep staring at me?
Both: Thakkidatha hoy hoy thikkidatha
Thakkidatha hoy hoy thikkidatha
Male
Female
Male
Male
Male
Male
Female
Male
Female
Female
Male
Female

Beyond the translation

Overall song meaning

This playful and romantic duet from the 1974 Tamil film 'Prayachitham' expresses the flirty banter between two lovers. The female protagonist playfully teases her lover for lingering around without making a bold move, comparing herself to birds and nature, while he responds in kind with clever metaphors. Using poetic imagery crafted by Kannadasan, the song uses classical metaphors—comparing long hair to banyan tree roots, a waist to a cradle woven of flowers, and the union of lovers to mixing milk and honey—to capture the escalating affection, anticipation, and intoxication of courtship.

Writing craft

Poetic devices

Upamai (Simile / Metaphor)

Aalamaram vizhuthu vittu koonthal undaachchu

Compares long, flowing hair to the aerial roots ('vizhuthu') of a banyan tree ('Aalamaram').

Mondai / Rhyme (Monnai & Etukai)

Thaththi thaththi poraa paaru kiliyakkaa / Ennai thatti kondae poraa paaru kuyilakkaa

Uses internal rhyme and bird metaphors ('kiliyakkaa' / 'kuyilakkaa') to create rhythmic, playful cadence.

Uruvagaim (Metaphorical Imagery)

Paal irukku thaen irukku kalakka vendaamaa

Metaphorically compares the intimate union of lovers to the blending of sweet elements, milk ('paal') and honey ('thaen').

Did you know?

Trivia

Composed by M. S. Sanjay, this energetic duet brings together two legendary playback singers of Tamil cinema, T. M. Soundararajan and L. R. Eswari. L. R. Eswari was renowned in the 1960s and 70s for her unique vocal timbre and ability to deliver high-energy, sensual, and folk-infused romantic songs, complemented perfectly here by TMS's robust style.

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