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Isaimozhi
Lyrics & meaning

Thakkidatha Hoi Hoi Thikkidatha

From Prayachitham · 1974

Lyricist
Kannadasan
Singers
T. M. Soundararajan, L. R. Eswari
Music director
M. S. Sanjay
Details
Prayachitham1974

Lyrics & meaning

Tanglish lyrics English translation
Male
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Thaththi thaththi poraa paaru kiliyakkaaLook at sister parrot hopping along!
Ennai thatti kondae poraa paaru kuyilakkaaLook at sister cuckoo moving past, brushing against me!
Female
Aaho….Aaho…
Suththi suththivanthaar paaru duraiyappaaLook at Lord Gentleman walking around in circles!
Ennai chummaa paarkka ninaipathenna muraiyappaaIs it proper for you to just stand there and stare at me casually?
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Male
………………..(Instrumental interlude)
Female :…………….Female: (Vocalizing)
Both :……………..Both: (Vocalizing)
Male
Aalamaram vizhuthu vittu koonthal undaachchuHair was formed like the descending prop roots of a banyan tree.
Female :Adhu aadi aadi kooppittathaal kadhal undaachchuFemale: Because it swayed and beckoned, love was born.
Male :Aalamaram vizhuthu vittu koonthal undaachchuMale: Hair was formed like the descending prop roots of a banyan tree.
Female :Adhu aadi aadi kooppittathaal kadhal undaachchuFemale: Because it swayed and beckoned, love was born.
Male
Pooveduththu thottil kattiGathering flowers to tie a cradle,
Idaiyum undaachchuA slender waist was created.
Female :Athu poga poga yaedho yaedhoFemale: As time progresses, a strange
Bodhai undaachchuIntoxication was created.
Both :Ingae neeyirukka naan irukka neram vanthaachchaaBoth: Has the time arrived for you and me to be together here?
Male
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Thaththi thaththi poraa paaru kiliyakkaaLook at sister parrot hopping along!
Ennai thatti kondae poraa paaru kuyilakkaaLook at sister cuckoo moving past, brushing against me!
Female
Aahoi…aa….aa….Aahoi…aa….aa….
Suththi suththivanthaar paaru duraiyappaaLook at Lord Gentleman walking around in circles!
Ennai chummaa paarkka ninaipathenna muraiyappaaIs it proper for you to just stand there and stare at me casually?
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Male
…………….(Instrumental interlude)
Female :………….Female: (Vocalizing)
Both :……………..Both: (Vocalizing)
Female
Koodirukku ingae oru kuruvi vendaamaaThere is a nest here; doesn't it need a bird?
Male :Naan kulippatharkku unnaippolaMale: For me to bathe, doesn't one need a waterfall
Aruvi vendaamaaLike you?
Female :Koodirukku ingae oru kuruvi vendaamaaFemale: There is a nest here; doesn't it need a bird?
Male :Naan kulippatharkku unnaippolaMale: For me to bathe, doesn't one need a waterfall
Aruvi vendaamaaLike you?
Female
Hoi veedu irukku ullaeHey, there is a house inside,
Oru vilakku vendaamaDoesn't it need a lamp?
Male :Ada vilakku vacha pinnae oru kanakku vendaamaMale: Hey, once the lamp is lit, shouldn't there be an accounting/play?
Both :Paal irukku thaen irukku kalakka vendaamaaBoth: There is milk and there is honey; shouldn't they be mixed?
Male
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Thaththi thaththi poraa paaru kiliyakkaaLook at sister parrot hopping along!
Ennai thatti kondae poraa paaru kuyilakkaaLook at sister cuckoo moving past, brushing against me!
Female
Aahoi…aa….aa….Aahoi…aa….aa….
Suththi suththivanthaar paaru duraiyappaaLook at Lord Gentleman walking around in circles!
Ennai chummaa paarkka ninaipathenna muraiyappaaIs it proper for you to just stand there and stare at me casually?
Both :Thakkidathaa hoi hoi thikkidathaaBoth: Rhythm syllables: Thakkidathaa hoi hoi thikkidathaa
Thakkidathaa hoi hoi thikkidathaaRhythm syllables: Thakkidathaa hoi hoi thikkidathaa

Beyond the translation

Song interpretation

This playful and romantic duet from the 1974 Tamil film 'Prayachitham' expresses the flirty banter between two lovers. The female protagonist playfully teases her lover for lingering around without making a bold move, comparing herself to birds and nature, while he responds in kind with clever metaphors. Using poetic imagery crafted by Kannadasan, the song uses classical metaphors—comparing long hair to banyan tree roots, a waist to a cradle woven of flowers, and the union of lovers to mixing milk and honey—to capture the escalating affection, anticipation, and intoxication of courtship.

Writing craft

Poetic devices

Upamai (Simile / Metaphor)

Aalamaram vizhuthu vittu koonthal undaachchu

Compares long, flowing hair to the aerial roots ('vizhuthu') of a banyan tree ('Aalamaram').

Mondai / Rhyme (Monnai & Etukai)

Thaththi thaththi poraa paaru kiliyakkaa / Ennai thatti kondae poraa paaru kuyilakkaa

Uses internal rhyme and bird metaphors ('kiliyakkaa' / 'kuyilakkaa') to create rhythmic, playful cadence.

Uruvagaim (Metaphorical Imagery)

Paal irukku thaen irukku kalakka vendaamaa

Metaphorically compares the intimate union of lovers to the blending of sweet elements, milk ('paal') and honey ('thaen').

Did you know?

Trivia

Composed by M. S. Sanjay, this energetic duet brings together two legendary playback singers of Tamil cinema, T. M. Soundararajan and L. R. Eswari. L. R. Eswari was renowned in the 1960s and 70s for her unique vocal timbre and ability to deliver high-energy, sensual, and folk-infused romantic songs, complemented perfectly here by TMS's robust style.

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