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Isaimozhi
Lyrics & meaning

Ore Naal Unnai Naan

From Ilamai Oonjal Aadukirathu · 1978

Lyricist
Vaali
Singers
S. P. Balasubrahmanyam, Vani Jairam
Music director
Ilayaraja
Details
Ilamai Oonjal Aadukirathu1978

Lyrics & meaning

Tanglish lyrics English translation
Male
Orae naal unnai naan nilavil paarthadhuIt was just on one day that I saw you in the moonlight
Ulaavum un ilamaithaan oonjal aaduthuYour strolling youthfulness sways like a swing
Female
Orae naal unnai naan nilavil paarthadhuIt was just on one day that I saw you in the moonlight
Ulaavum un ilamaithaan oonjal aaduthuYour strolling youthfulness sways like a swing
Male
{ Mangaikul kaadhalenumAs I float within the Ganges of love...
Gangaikul naan mithaka } (2)...that flows within this maiden
Female
Sangamangalil idam perumTaking place during our intimate unions,
Sambavangalil itham ithamThere is comforting delight in these events
Male
Panathaal ninaithaal inipathennaWhy does even the mere thought bring such sweetness?
Female
Orae naal unnai naan nilavil paarthadhuIt was just on one day that I saw you in the moonlight
Ulaavum un ilamaithaan oonjal aaduthuYour strolling youthfulness sways like a swing
Male
{ Nenjathil perezhuthiInscribing your name upon my heart,
Kannukul naan padithen } (2)I read it within my eyes
Male
Karpanaigalil sugam sugamThere is sheer delight in these imaginations
Kandadhenavo nitham nithamWhat I have experienced is a daily joy
Female
Mazhai nee nilam naan mayakam ennaYou are the rain, I am the land—why this sweet intoxication?
Male
Orae naal unnai naan nilavil paarthadhuIt was just on one day that I saw you in the moonlight
Ulaavum un ilamaithaan oonjal aaduthuYour strolling youthfulness sways like a swing
Chorus
……………………………………….
Male
{ Panjanai paadaluku pallavi nee iruka } (2)As you stand as the refrain for this melody of the cozy bed
Female
Kanirandilum orae swaramA single musical note echoes in both eyes
Kai irandilum orae layamA single rhythm flows through both hands
Male
Iravum pagalum isai muzhangaAs music resounds day and night
Male
Orae naal unnai naanFemale :Nilavil paarthadhuIt was just on one day that I saw you [Female: in the moonlight]
Male
UlaavumStrolling...

Beyond the translation

Song interpretation

‘Orae Naal Unnai Naan’ is a classic romantic song from the 1978 Tamil film 'Ilamai Oonjal Aadukirathu'. The song captures the captivating power of love at first sight, where a single romantic encounter under the moonlight ignites an intoxicating sense of passion and intimacy. The sway of youth is poetically metaphorized as a swing ('oonjal'), oscillating endlessly between desire, imagination, and blissful daydreaming. Vaali’s lyrics weave rich poetic imagery, comparing love to a sacred river and the union of lovers to rain falling upon thirsty land. As the song progresses, love is envisioned as a continuous musical symphony played across all senses—where every glance, touch, and thought rhythmically harmonizes day and night.

Writing craft

Poetic devices

Ethugai (Second-letter Rhyme)

Mangaikul kaadhalenum / Gangaikul naan mithaka

The second consonant sound 'nga' (ங்) matches in 'Mangaikul' and 'Gangaikul', creating a traditional Tamil phonetic harmony.

Metaphor (Uvamaani)

Mazhai nee nilam naan mayakam enna

Directly compares the lover to refreshing rain and the speaker to receptive land ('You are rain, I am land'), expressing deep connection.

Iyaipu (End Rhyme)

Sambavangalil itham itham / Kandadhenavo nitham nitham

The deliberate repetition and rhyme of 'itham itham' and 'nitham nitham' at line endings create rhythm and musicality.

Monai (Alliteration / First-letter Rhyme)

Kanirandilum orae swaram / Kai irandilum orae layam

The initial sound 'Ka' (க்) is repeated at the start of consecutive lines ('Kanirandilum' and 'Kai irandilum').

Did you know?

Trivia

Although the music director is uncredited in the given prompt, the music for 'Ilamai Oonjal Aadukirathu' was composed by Isaignani Ilaiyaraaja. Directed by C. V. Sridhar, the film featured prominent stars Kamal Haasan, Rajinikanth, Sripriya, and Jayachitra, and this track (sung by S. P. Balasubrahmanyam and Vani Jairam, with an alternate solo version by K. J. Yesudas) remains one of the most celebrated melodies in Tamil cinema.

Keep listening

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