- Lyricist
- Vaali
- Singer
- T. M. Soundararajan
- Music director
- Shankar Ganesh
- Movie name
- Naan Yen Pirandhen
- Movie release year
- 1972
- Lyrics added on
- 23 Dec 2019
Lyrics & meaning
Beyond the translation
Overall song meaning
Naan Paadum Paadal from the 1972 Tamil movie Naan Yen Pirandhen, penned by lyricist Vaali, is an uplifting romantic song celebrating the divine influence of music and love. The singer wishes that the melody brought forth brings goodness and harmony to all, comparing music to a surging river upon which the youthful heart glides effortlessly like a boat. The song weaves romantic praise for the beloved, detailing her ethereal beauty, gentle demeanor, and graceful movements. Her presence elevates the rhythm of life and the majesty of the Tamil language itself, whereas her absence brings poetic solitude. Vaali uses nature imagery such as screwpine flowers, cool breezes, and graceful swans to paint a picture of timeless beauty.
Writing craft
Poetic devices
Metaphor (Uruvagam)
“Isai vellam nadhiyaaga odum / Adhil ila nenjam padagaaga aadum”
Music is directly compared to a flowing river (Isai vellam nadhiyaaga odum) and the youthful heart to a boat dancing on the waves (ila nenjam padagaaga aadum).
Simile (Uvamai)
“Nizhal pol un kuzhalaada”
The lover's dark, swaying hair is explicitly compared to a dancing shadow using the comparative marker 'pol'.
Second-Letter Rhyme (Edhugai)
“Naadhathodu geetham undaaga / Thaalathodu paadham thallaada”
The second consonant sound 'dh' repeats across consecutive lines (Naadhathodu / Thaalathodu).
Anaphora / Initial Rhyme (Monai)
“Vandhaal paadum en thamizhukku perumai / Vaaraadhirundhaalo thanimai”
The initial letter 'V' repeats at the start of consecutive contrast lines (Vandhaal / Vaaraadhirundhaalo).
Did you know?
Trivia
Naan Yen Pirandhen (1972) was directed by M. Krishnan Nair and starred M. G. Ramachandran (MGR), K. R. Vijaya, and Kanchana. The musical score was composed by M. S. Viswanathan, and the iconic vocals for this track were delivered by T. M. Soundararajan and P. Susheela.
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