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Isaimozhi
Lyrics & meaning

Kalam Undu Paruvam

From Chithrapournami · 1976

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
M. S. Vishwanathan
Details
Chithrapournami1976

Lyrics & meaning

Tanglish lyrics English translation
Female
Kaalam undu paruvam unduThere is time, there is youthfulness
Manampol aadal paadal adhigam unduThere is plenty of dancing and singing as the heart desires
Kaalam undu paruvam unduThere is time, there is youthfulness
Manampol aadal paadal adhigam unduThere is plenty of dancing and singing as the heart desires
Female
Vaan konda megam naan konda koondhalMy hair is like the clouds held by the sky
Thaen konda sevvaai meen kanda kangalMy red lips hold honey, my eyes are fish-like
Evar kanda pothum kavi vanthu mothumWhoever beholds them, poetry will rush forth to strike
Evar kanda pothum kavi vanthu mothumWhoever beholds them, poetry will rush forth to strike
Kanni thaen ooril ondru ulavum indruA youthful honey-like maiden wanders in the town today
Female
Kaalam unduThere is time
Chorus :Lalaa lallaaChorus: Lalaa lallaa
Female :Paruvam unduFemale: There is youthfulness
Chorus :Lalaa lallaaChorus: Lalaa lallaa
Female :Manam pol aadal paadal athigam unduFemale: There is plenty of dancing and singing as the heart desires
Female
Rom naattu raani paal pondra maeniQueen of Rome with a milk-like body
Kalai konjum vaani karai kanda nyaaniSaraswati of alluring arts, a wise sage who has seen the shore of wisdom
Rom naattu raani paal pondra maeniQueen of Rome with a milk-like body
Kalai konjum vaani karai kanda nyaaniSaraswati of alluring arts, a wise sage who has seen the shore of wisdom
Kadhai intha kannil sugam intha pennilA story resides in these eyes, pleasure resides in this woman
Pullimaan ooril ondru ulavum indruA female spotted deer wanders in the town today
Female
Kaalam unduThere is time
Chorus :Lalaa lallaaChorus: Lalaa lallaa
Female :Paruvam unduFemale: There is youthfulness
Chorus :Lalaa lallaaChorus: Lalaa lallaa
Female :Manam pol aadal paadal athigam unduFemale: There is plenty of dancing and singing as the heart desires
Female
Aandaandu kaalam naadaanda mannanThe king who ruled the nation for years and ages
Thaan saaintha manjam pen konda nenjamThe bed he reclined upon is the heart possessed by a woman
Aandaandu kaalam naadaanda mannanThe king who ruled the nation for years and ages
Thaan saaintha manjam pen konda nenjamThe bed he reclined upon is the heart possessed by a woman
Malar engal thegam manangkonda nenjamOur body is a flower, our heart is filled with fragrance
Naan penmai endru perumai unduThere is immense pride in being womanhood
Female
Kaalam unduThere is time
Chorus :Lalaa lallaaChorus: Lalaa lallaa
Female :Paruvam unduFemale: There is youthfulness
Chorus :Lalaa lallaaChorus: Lalaa lallaa
Female :Manam pol aadal paadal athigam unduFemale: There is plenty of dancing and singing as the heart desires

Beyond the translation

Song interpretation

This energetic dance number celebrates youth, feminine allure, beauty, and the freedom of self-expression. The protagonist invites the listener to enjoy life through music and dance while youth and time permit. She describes her beauty using classic poetical imagery—hair like rain clouds, honeyed lips, fish-shaped eyes, and skin as fair as milk—comparing her presence to royalty and grace.

Writing craft

Poetic devices

Metaphor (Uvameyam)

Vaan konda megam naan konda koondhal

Comparing hair directly to rain-laden clouds in the sky.

Simile (Uvamai)

Rom naattu raani paal pondra maeni

Comparing fair complexion directly to milk using the simile marker 'pondra'.

Monai (Initial Alliteration)

Aandaandu kaalam naadaanda mannan

Repetition of the initial sound 'Aan' in consecutive words.

Edhukai (Second Letter Rhyme)

Thaen konda sevvaai meen kanda kangal

Rhyming of second letters 'ae' in 'thaen' and 'ee' in 'meen'.

Did you know?

Trivia

Composed by M. S. Viswanathan and written by Kannadasan, this track exemplifies the classic club/dance style rendered iconic by L. R. Eswari during Tamil cinema's golden era in the 1970s.

Keep listening

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