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Lyrics & meaning

Kaalam Ponnanadhu

From Kalyanamam Kalyanam · 1974

Lyricist
Kannadasan
Singer
S. P. Balasubrahmanyam
Music director
K. Vijaya Baskar
Movie name
Kalyanamam Kalyanam
Movie release year
1974
Lyrics added on
26 Sept 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kaalam ponnaanathu kadamai kannaanathu
Kadhal kanavan bedhaiyaanal vaazhvu ennaavathu
Hae….hae…..vaazhvu ennaavathu
Aa…..haa…. aanmagal enbavan rajavaipolae
Pennukku bayanthavan koojavaipolae
Avan payar eppothum kanavanadi
Avanthaan rajanga thalaivanadi
Kaalam ponnaanathu kadamai kannaanathu
Kadhal kanavan bedhaiyaanal vaazhvu ennaavathu
Hae….hae…..vaazhvu ennaavathu
Appaavi aan pillai adimaiyadi
Adimaikku unnidam ennadi velai
Avanukku nee oru selaikattu
Avanukku nee oru selaikattu
Adhupol nee oru vettikattu
Kaalam ponnaanathu kadamai kannaanathu
Kadhal kanavan bedhaiyaanal vaazhvu ennaavathu
Hae….hae…..vaazhvu ennaavathu
Kann avan enbathu kanavan endraagum
Kangalai maranthaval kaalangal pogum
Kozhikku maelthaan sevaladi
Kozhikku maelthaan sevaladi
Kodhaikku kanavan koyiladi
Kaalam ponnaanathu kadamai kannaanathu
Kadhal kanavan bedhaiyaanal vaazhvu ennaavathu
Hae….hae…..vaazhvu ennaavathu
Time is precious like gold, and duty is vital like one's eyes,
If the beloved husband is simple-minded, what will become of life?
Hey... hey... what will become of life?
Ah... ha, a real man should be like a king,
One who fears a woman is just like a yes-man.
His title is always the husband, girl!
He is the ruler of the kingdom, girl!
Time is precious like gold, and duty is vital like one's eyes,
If the beloved husband is simple-minded, what will become of life?
Hey... hey... what will become of life?
A naive man becomes a slave, girl!
What business does a slave have with you?
Wrap a saree around him,
Wrap a saree around him,
And you wear a veshti (dhoti) instead!
Time is precious like gold, and duty is vital like one's eyes,
If the beloved husband is simple-minded, what will become of life?
Hey... hey... what will become of life?
'He is the eye' is what makes him a husband,
A woman who forgets her eyes will see her days waste away.
The rooster always stands above the hen, girl!
The rooster always stands above the hen, girl!
For a woman, her husband is like a temple, girl!
Time is precious like gold, and duty is vital like one's eyes,
If the beloved husband is simple-minded, what will become of life?
Hey... hey... what will become of life?
Male
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

Kaalam Ponnaanathu from the 1974 Tamil film Kalyanamam Kalyanam is a lighthearted yet commentary-filled track rendered by S. P. Balasubrahmanyam, with music by K. Vijaya Baskar and lyrics by Kannadasan. The song explores traditional marital roles and social dynamics, using playful humor to critique a man who surrenders his leadership within a marriage and becomes overly submissive. Through allegorical references to royalty, domestic birds, and traditional attire, Kannadasan weaves humor with moral advice on duty, time, and mutual respect in domestic life. The song highlights how crucial clarity and leadership are for maintaining happiness in a family structure.

Writing craft

Poetic devices

Metaphor (Uvamaani)

Kaalam ponnaanathu kadamai kannaanathu

Comparing time to gold ('Kaalam ponnaanathu') and duty to the sight of one's eyes ('kadamai kannaanathu') to emphasize their intrinsic value.

Simile (Uvamai)

Aa…..haa…. aanmagal enbavan rajavaipolae / Pennukku bayanthavan koojavaipolae

Compares a strong man to a king ('rajavaipolae') and a meek man to a lifeless jug ('koojaavaipolae').

Monai (Initial Alliteration)

Kaalam ponnaanathu kadamai kannaanathu

Repetition of the 'Ka' sound at the beginning of words in the same line.

Eyaibu (End Rhyme)

Avan payar eppothum kanavanadi / Avanthaan rajanga thalaivanadi

Repetition of the ending suffix '-adi' across consecutive lines to create a rhythmic folk dialogue tone.

Did you know?

Trivia

Composed by K. Vijaya Baskar, a prolific composer who worked extensively in Kannada cinema as well as Tamil cinema during the 1970s. Lyricist Kannadasan uses satirical metaphors typical of 1970s Tamil social comedies to playfully debate gender roles.

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