- Lyricist
- Vaali
- Singer
- T. M. Soundararajan
- Music director
- M. S. Vishwanathan
- Movie name
- Chandhrodhayam
- Movie release year
- 1966
- Lyrics added on
- 15 May 2017
Lyrics & meaning
Beyond the translation
Overall song meaning
This philosophical anthem from Chandhrodhayam (1966) offers a powerful message of dignity, justice, and hope for the labor class. The speaker asserts that great spiritual leaders like Buddha, Jesus, and Mahatma Gandhi came into the world to uplift the poor and downtrodden, just as great rivers like the Ganges and Cauvery flow to quench the thirst of hardworking laborers. It celebrates the worker who bends like a question mark in honest toil while holding self-respect above material wealth. The song further observes that wealthy individuals often lack generosity, whereas a kind and welcoming heart serves as a true temple where God chooses to dwell. Reminding listeners that nature's blessings are meant for everyone rather than a privileged few, the lyrics urge the working class to remain hopeful for a brighter, fairer tomorrow.
Writing craft
Poetic devices
Simile (Uvamai)
“Kelvikuripol / Muthugu valainthu”
Comparing a laborer's bent back during strenuous physical toil to a question mark ('Kelvikuri').
Metaphor (Uruvagam)
“Manam endra / Koyil pirakindra neram”
Directly metaphorizing a pure, compassionate human heart as a holy temple ('Koyil').
Alliteration (Monai)
“Porulkonda / Pergal manam kondathillai”
Repetition of the initial 'P' sound ('Porulkonda', 'Pergal') for rhythmic harmony.
Antithesis (Muran)
“Azhuthavar / Siripathum sirithavar / Azhuvathum”
Contrasting crying ('Azhuthavar') and laughing ('Sirithavar') to highlight changing fortunes.
Did you know?
Trivia
The song is from the 1966 Tamil film Chandhrodhayam starring M. G. Ramachandran (MGR) and Jayalalithaa. Composed by M. S. Viswanathan with lyrics by Vaali and rendered by T. M. Soundararajan, this track is a classic example of MGR's signature messianic songs that built his socio-political identity among the working class.
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