- Lyricist
- Vaali
- Singer
- S. P. Balasubrahmanyam
- Music director
- Deva
- Movie name
- Vallal
- Movie release year
- 1997
- Lyrics added on
- 2 May 2026
Lyrics & meaning
Beyond the translation
Overall song meaning
The song 'Aasai vecha annakiliye' from the movie Vallal portrays the deep sorrow and emotional maturity of a man who realizes his love was one-sided. Having prepared to express his love and unite with his beloved, he is heartbroken to discover she belongs to another man. He admits his own foolishness in confusing friendly warmth for romantic love, comparing his actions to casting a fishing line into a mirage expecting to catch fish. Despite the intense pain of betrayal and crushed dreams, the protagonist chooses the high road of nobility. Rather than expressing anger or bitterness, he sincerely blesses her for a long, happy married life filled with prosperity, promising to stand silently as her protector from afar as long as she lives happily.
Writing craft
Poetic devices
Metaphor (Uvamai)
“Kaaveri thaneer endru Kaanala naan nenachen Kaanlil thoondiyathaan Pottu naan meen pudichen”
The speaker compares his mistaken expectation of love to mistaking a desert mirage for the Kaveri river and trying to catch fish in it.
Visual Imagery
“Maamara pacha kili Ver oruthan tholinilae”
Depicting the beloved woman as a green mango-tree parrot perched on another man's shoulder creates a vivid visual representation of heartbreak.
Idiomatic Metaphor
“Kaalam venneera vittadhenna verinilae”
Pouring hot water on tree roots is a classic Tamil idiom representing the complete destruction of one's foundational hopes and life.
Edhugai (Second-letter Rhyme)
“Kirakkam thaan yeri ponen / Karpitha muttaal aanen”
The second consonant sound 'r' aligns across successive words/lines creating rhythmic harmony (Kirakkam / Karpitha).
Did you know?
Trivia
Composed by 'Thenisai Thendral' Deva and written by the veteran lyricist Vaali, this poignant song is sung by S. P. Balasubrahmanyam. Vaali's lyrics stand out for using simple, rural folk imagery—flower shops, river waters, mirages, and mango trees—to capture the noble depth of unrequited love and selflessness.
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